supported by 6 fans who also own “I Shall Not Return”
After listening to Ysyry Mollvün, listening to Downfall of Nur was urgent and turned out to be one of the best decisions I have made in quite some time: Umbras de Barbagia is simply magisterial; the atmosphere can hardly be compared to anything else. There is a deep, palpable connection to nature imbueing each very fibre of this record. The amalgamation of black metal and folk elements is done with a high intuition for detail and class, resulting in a highly immersive experience. Wonderful. David Fischer
supported by 5 fans who also own “I Shall Not Return”
On ne frappe pas un homme à terre : c'est ce que dit la règle mais NONE a déjà prouvé qu'il ne les suivait pas et si son album éponyme retirait toute perspective de béatitude spirituelle, Life has gone on long enough, son deuxième opus, nous interdit l'accès au bonheur terrestre. La vie n'a aucune substance et la production plus distante le confirme. Le DSBM s'empare de textures sonores blues, mettant en relief une dépression urbaine. Les cris partent en fumées : ne restent que les pleurs... Jordan Vauvert
supported by 5 fans who also own “I Shall Not Return”
This album touches all the dark corners of the listener's soul and walks the listener through them. When all is dark, this music becomes a bond, a piece of art that provides warmth through emotional connection. When all is as it should be, this record remains a moving and powerful artistic journey.
The songwriting is incredible and creates atmosphere like none other. The primality of the vocals reminds one of a lost wolf in a forest blizzard, or an urban equivalent. Like movies for your ears. Cryptaud